Showing posts with label Beautiful Brains. Show all posts
Showing posts with label Beautiful Brains. Show all posts

Bare Faced Beauty: Flaunting my Makeup-Free Face and Thoughts on Cosmetics

Today, Franca of Oranges & Apples is hosting the Friend Friday Roundup on the theme of no makeup. See her post and links for all the other contributors here.

Never shy to sport a statement lip or dramatic eye, this blog has served in part to archive and share my makeup adventures. However, the look that makes me most hesitant is actually the most natural one. No, not the 'it took me 15 products to look natural' kind, but a clean, makeup-free face. So here it is, my boldest look yet in all of it's naked glory:


As beauty bloggers, many of us appreciate cosmetics in ways that the average person would find ludicrous. We lust over limited edition items, build museum worthy collections, race across town on the quest for a particular lipstick, swoon over unique packaging, and research a particular shade for hours. But for how many of us does this appreciation transform into a feeling of need? Especially in a culture that often values women for their beauty as much as (if not more than) her brains, it is pretty easy to feel this way. Wearing makeup makes me feel confident about myself, sure- but it would be just plain idiotic to think that this didn't have anything to do with these cultural values and how people respond to me. Knowing this, I have been trying to be consciously aware of my relationship to cosmetics. 

My relationship with cosmetics has been a bit of a pendulum swing. When I was in middle school, I had absolutely no idea what shades worked for me or how to apply products. Thinking that more was better, I was chided by my parents for trying to look more mature than I was with my crappy blue eyeshadow (oh yes, I was that girl!). By high school and through college, my makeup routine had simplified to a handful of neutral shadows, a brown liner, a mascara, and pressed powder. I was a busy, self-confident bookworm who had little interest in changing up my daily routine.

 It wasn't actually until two years ago or so that my interest in beauty culture really kick started, and it was like middle school all over again. Loving the transformation cosmetics enabled, I frequently spent more than half an hour doing my makeup each morning and gravitated towards bold shades. I figured if I was going to wear makeup, I might as well look like I am wearing it, right? Somewhere during that time, I went from liking makeup to feeling like I needed it to look not just beautiful but just plain average. 

Thankfully, I have started to mature out of that phase. Though I still appreciate a sexy red lip or an artfully blended eye, I am discovering that I actually look better the less makeup I wear. Realizing that my skin is actually quite nice, I have recently swapped my full coverage foundations out for more medium coverage ones and tinted moisturizers. While it is rare that I forgo cosmetics all together, some days a little concealer, mascara, and lip balm is all I have time or effort for.  And I certainly don't wear makeup while just relaxing at home, and I can bare running to the grocery store with my face naked. I feel less depend on cosmetics and though I prefer to wear makeup, I know I don't need it all of the time to look like a normal, presentable human being. 

That being said, I am still excited by makeup (what a boring blog this would be if I didn't, right?). Most of all, I love how I can transform my look with makeup in a way that allows me to consciously construct, channel, and exude different expressions of femininity. My inner drag queen revels in this sort of gender play. What kind of woman am I today? An Old Hollywood starlet with matte red lips? Or how about a bad ass 90's biker chick with kohl rimmed eyes? Or maybe I am a powerful Grecian goddess with ethereal, glowing skin? Or maybe I am just lazy me, chillin' on the couch, watching Buffy the Vampire Slayer reruns with my friends, with not a stitch of makeup on at all.

Do you ever bare it all or do you wear makeup everyday? 
Do you ever feel like you need makeup? 
Do you use makeup to consciously present and play with your gender expression?



Zombies, Vampires, and Sluts-oh my! Some Thoughts on Sexy Halloween Costumes

All Hallows Eve is the one night of the year that the spirits of the dead can walk the earth, and women can wear lingerie in public without ridicule. 

Remember the film Mean Girls? New kid Cady arrives at a party in her frightening bride costume, only to discover that the other girls were using Halloween as an opportunity to wear as little as possible: 


The film humorously highlights a trend that I am sure most all of us are familiar with. But what is going on here? Why do women put on fishnets and bunny ears and call it a costume? What is going on in our culture that encourages this? Is it "slutty"; is it liberating? In this post, I would like to sketch out the debate and offer my own thoughts on the phenomena of women's hypersexualization via Halloween costuming. 

My friend Grace, who blogs over at Grace & Beauty, first got me thinking more critically about this issue. Grace posted a  video to youtube and her blog imploring women to ditch the "slutty" Halloween costumes. With Grace's permission, here is her video:

The comment responses to Grace's video have been heated- some slammed Grace for what they perceive as her anti-feminist, slut bashing position, and others celebrated and aligned with her opinions. My own critique falls somewhere in between. 
 Like Grace, part of me is saddened and disgusted when I see young women in lingerie and kitten ears prancing around on Halloween. It angers me to see women participating so uncritically in the systems (I'm looking at you, patriarchy!) that serve to limit our options and punish us  for not conforming to gendered norms. Part of me looks at these women and sees them as brainwashed dupes of the patriarchy. On the other hand, I can't help but think about how our culture has produced the very conditions in which young women would want to do such a thing. Who gets to determine what is sexy? Who does this image of "sexiness" serve? I am all for women expressing themselves as sexual beings, but it strikes me that the very parameters for doing this are actually quite limited and narrow, and have been established and defined by a male gaze. Basically, what is considered "sexy" comes out of a male-dominated pornographic imagination. This definition of sexiness does not come from women who are consciously and critically considering how they want to express their sexuality for themselves. In our discussion of this issue, Grace made an astute observation that it can actually be challenging for women shopping at a Halloween store to find a costume that isn't sexualized.
Moreover, women we reap real benefits, such as male sexual attention and social status, for conforming to these sexist standards of beauty and behavior. When we resist this norm and express our sexuality in a different way, we are called dykes, butch, prude, and so forth. Our culture still operates within the virgin/whore logic regarding female sexuality. If we express ourselves as people with sexual desires, we are called sluts; but if we don't put out, or we don't present ourselves in a way that our cultures sees as sexy, we are called prudes. Halloween is supposedly the one night where this doesn't apply. A combination of the narrow definition of "sexiness" and this pervasive virgin/whore logic might help explain why women might take Halloween as a "free pass." Reminding myself of these things helps me to be more sympathetic and understanding. It prevents me from perpetuating the problematic, misogynistic slut-bashing that I want to challenge.

Another issue I would like to breifly consider is how women who do go the "sexy cop" route on Halloween are demonized as inviting sexual assault. Some responders to Grace's video lamented that young women who dress as "sluts" for Halloween are walking rape targets. First of all, women never ask to be sexually assaulted. I don't care if you are trick or treating naked, that never gives someone the right to touch you without permission. Also, this type of victim-blaming negates the fact that women, regardless of how they dress or behave, can and are sexually assaulted by friends, family members, dates, and strangers all the time. That said, I do think women have a responsibility to be aware of the culture we live in. Though I would never, ever say that a young woman asks for or invites sexual assault or general creepiness, I do think that women must be realistic of how other people who are totally complacent with our culture's messed up views of gender and sexuality might interpret and misread our actions. Us ladies are in a perpetual bind, really. Ideally, we should be able to do and be and dress as we want, but in reality we also have to be attentive and practice risk management.


I would encourage us to resist the urge to look at this trend of sexy Halloween costuming as all good or all bad, as totally slutty or totally empowering. Hopefully my brief discussion of it helped to highlight the complex cultural issues at work here. Let me know what you think about this issue!

Have a happy, creepy, and safe Halloween!


Beautiful Brains: Tribal Nail Art, and thoughts on Columbus Day

Today is Columbus Day. 
Although this probably isn't a national holiday most Americans get overly excited about (we still have work and school, after all), it saddens me that we dedicate a day to what is in fact a very dark part of our country's history and origins. I am hoping that by now you all know that the narratives surrounding Columbus Days are largely national myths that attempt to conceal the realities of physical and cultural genocide against indigenous populations. Of course, this history isn't typically taught to us in school. The education system would much rather teach children fairy tales about benevolent Indians and brave, friendly colonialists as they draw pictures of pilgrims and the Mayflower. Most Columbus Days, my mother kept me home from school because she cherishes her native ancestry and believes it is important that I learn the truth about what happened to her family's ancestors. I implore all Americans, regardless of whether or not you are personally connected to native communities in any way, to rethink Columbus Day.

Check out last year's PSA to Reconsider Columbus Day:


If you follow my blog, you might remember my verbose post on the 'going tribal' trend wherein I discussed cultural appropriation and commodification (check out that post here). I still stand behind every word written in that post, but I am also the first to admit that some things that fall under the 'going tribal' trend umbrella are pretty flippin' cute. Fringe boots? I want a pair so bad. Feather hair extensions? Some say they are overplayed, but I still think they are adorable. And this tribal nail art design I have seen floating around blogs? I had to recreate it. I don't pretend to know where the line is between fashion and offensive cultural appropriation, because that line is really subjective. More than anything, I think it is important we always consider the political and cultural implications of our fashion and beauty choices. As the activism around Reconsidering Columbus Day shows us, the politics surrounding tribal history and Indigenous cultural survival are contemporary issues. We can't pretend that our participation in the fashion and beauty industries is somehow disconnected from our social and historical context.


With all of my political considerations and disclaimers said, this is my first attempt at the 'tribal' nail art design. Overall, I feel like it is a decent first go, although my rendition comes off a little bit 'East egg' to me. If you all are interested in a tutorial, let me know- I would be more than happy to post one the next time I recreate this design.


Here are the polishes I used for this look:

L-R:
Zoya Keko- 2 coats as base color
Essie Turquoises & Caicos- stripes painted on with cheap eyeliner brush
Kiss Nail Art Polishes in White, Black, and Silver Glitter- to create details

What do you think of this design? Interested in a tutorial?
Any thoughts about the 'going tribal' trend or Columbus Day?


FFB: Beautiful Dirty Rich....Class Privilege & Beauty

 *Don't forget to enter my 100 Followers Giveaway!*

This month, the FFB's (Feminist Fashion Bloggers) monthly topic of discussion is social class as it pertains to feminism and the fashion/beauty industry. I think most of us in FFB agreed that this was a challenging but important topic. The roundup for everyone's posts can be found here.

Disclaimer: It was hard for me to narrow down my focus, so be warned- this post is a lot of verbose pondering about the general intersections of class and beauty. I don't think what I'm about to say in this post is anything revolutionary, but I think we often forget about the politics of class privilege while in the throes of our cosmetics lust.

First off, let's establish that beauty is a social construction. By that I mean that what we perceive as beautiful is not just a matter of personal preference and opinion; it is also incredibly influenced by our cultural climate. And because culture changes over time, so do constructions of beauty- yet we often forget that skinny, tan, and made-up has not always been the epitome of conventional femininity. A huge part of our contemporary cultural climate (at least in the West) is capitalism. Capitalism, which is an economic system that encouraged competition in the market, sounds really great in theory: companies compete with one another, and only the ones that are embraced by consumers survive. However, one consequence of capitalism is that this often leads to monopolization, wherein one company dominates the market and smaller companies flounder. We can see this in the beauty industry- think of how many indy cosmetics and fragrance businesses that you know of that have closed down or struggled to stay open! Also, when one or few company dominates the market (I am looking at you, Estée Lauder), they have an overwhelming influence on public perception of what is beautiful and desirable. And, being a business, it should be no surprise that they want to make money, and lots of it. I talked about this a bit in my post about the cultivation of need; companies, particularly the ones that dominate the market, are really good at seducing consumers with their marketing. Of course we beauty fiends also demand quality products and companies often respond to consumer demands. But we also love luxe packaging, limited edition goodies, and high-end name brands. We fall for gimmicks, novelty, and unfulfillable promises. And we shell out a ton of cash in the process.

Another consequence of capitalism is that it creates social classes based on income, occupation, and status. Because of market competition, we can't all be winners. There is a lot more that goes into the creation and maintenance of class division (such as access to education and health care; historical and contemporary inequalities based on race, gender, sexuality, ability and so forth; and other factors), but let's be real: we do not have economic equality in the US or elsewhere, and we can't just chalk it up to tired misconceptions of the impoverish as lazy, stupid, and unmotivated. Privilege, in this case, is not simply earned. Often times, you are either born with social privilege or your'e not based on if your race/class/gender/sexual orientation/ability/nationality/etc is socially prized or not. And most people who are born into a certain social class can not transcend it for the reasons mentioned above. So if we have economic inequality, then it should go without saying that there are whole classes of people that simply can't afford to be consumers of the beauty industry, at least not to the obsessive level most of us reading this are. This also means, then, that these people do not have access to the products, services, and lifestyle that we acknowledge as socially beautiful and desirable and that transform us into socially accepted "beautiful" and "desirable" people. This isn't to say, of course, that people in lower economic classes can't and aren't attractive; it means if you weren't born embodying what our culture regards as perfection, then you are going to have to achieve it in other ways, and those ways cost money more often than not. Money that not all people have. In short, beauty, as a social construction, is marked and defined in part by class privilege.


Beautiful Dirty Rich- Lady Gaga knows that money and beauty in our culture often go to gether
Growing up in a lower working class household, my parents struggled financially in really big ways. We used food stamps and accepted the charity of friends and neighbors; we drove a junker of a car and emptied out the change jar to fill it up with gas on more than a few occasions; gas and electric were turned off. I did not come from a lazy, unmotivated, or stupid family- this was just our situation, determined by factors like physical disability and poor education that were outside of my parents' control. Needless to say, there wasn't any spare cash for MAC goodies at the time. Now, as a young adult, graduate student, and budding professional academic, I am better off than my upbringing by a long shot. I recognize how incredibly privileged I am over some other people, and it's not particularly fair (inequality isn't fair...that's why it's called ineuqality). And yet, I am still on an incredibly tight budget. Honestly, I too often live above my means. I have a little extra money to play with these days, but it may be smarter to invest it elsewhere sometimes. Why the personal tell all? Because privilege and inequality are a part of my life and your life, too. Privilege is often invisible to those who possess it, but we all belong to a social class whether we feel like it impacts us or not. And all of these things are huge factors when it comes to our relationship to the beauty industry.


I first saw the poster for the 2003 Love Your Body Day while I was an undergraduate. In some ways, I have major issues with it. Although the beauty industry emphasizes appearance and is not often very body-positive, participating in it does not inherently mean that we are not loving ourselves and our bodies in the process. And while nurturing our mental and emotional selves is indeed important, I wouldn't say that being involved in the fashion and beauty industries always distracts from that or is a less valid pursuit. But despite my gripes, I do like this poster in that it highlights just how much women spend (and are told they need to spend) in order to present themselves in a way that others deem beautiful. We often recognize that those who have extra money to hop on a plane to Europe, eat at fancy restaurants, and get weekly massages as socially and economically privileged. Yet, we sometimes forget about how privilege impacts our relationship to beauty because our purchases in the beauty industry are often framed as pure necessities, not luxuries. And that's because beauty, as a social construction, is totally wrapped up in capitalism, marketing, and the politics of class.

I challenge you to tally up how much you spend in a week or a month or in a year to make yourself beautiful- all the lotions and potions, fragrances, cosmetics, miracle skin care treatments, hair styling tools, gym memberships, workout DVDs and exercise equipment, visits to the tanning salon, hair stylist, nail salon, waxing services, cosmetic plastic surgery, fashionable clothing, shoes and accessories...the list goes on and on. How much does it cost for you to pursue beauty? For myself, I guess that I easily spend a couple thousand of dollars a year on the things I listed above. If you didn't spend as much, would you still think you are as pretty as you are now? Would others still think you were as desirable?

Most of us, as beauty and fashion bloggers, are privileged when it comes to class (yes, I'm making a sweeping generalization here, to which there are indeed exceptions). The point here isn't to make anyone feel guilty. Guilt is a really debilitating state of mind. But ignorance and uncritical thinking are even more unproductive. Do I think we should boycott the beauty industry? Clearly not- I run a beauty blog after all! But I do think that we need to think more critically about our participation in the beauty and fashion industries. And I think we have an obligation to consider how the politics of privilege and oppression operate in our own lives as beauty bloggers and beauty junkies.


FFB: I'm an Indian Princess...a look at the "going native" fashion trend


Recently, I joined a blogging network called the Feminist Fashion Bloggers. Every month, the group selects a topic related to feminist, fashion, and beauty to post about. After creeping on the FFB blog and listserv for a while, this is the first time I am participating. This month's topic was women in the media and popular culture.    

“Within commodity culture, ethnicity becomes spice, seasoning that can liven up the dull dish that is mainstream white culture,” (bell hooks, 21).


Last year, Kesha rocked a headdress and face paint during an American Idol performance. Last Halloween, my teenage cousin dressed up in a sexy Pocahontas costume. Last month, I found a makeup tutorial on a beauty blog for a “Native American” look, complete with darkened skin and braided pigtails. Last week, nearly every store I entered in the mall was overloaded with shirts and jewelry covered in feathers, tribal symbols, dream catchers, and chief’s head logos (just search "native," "tribal," or "Indian" into online stores like Forever 21 and PacSun for an abundance of examples). This morning, a search for "Native" on weheartit generated mostly images of waif-like White women in various stages of undress adorned with feathers and face paint.

While the “going tribal” fashion trend has been addressed on other blogs (like Racialicious, My Culture is not a Trend, and Jezebel), I wanted to add my thoughts to the conversation since the trend seems to have really caught on this season. Of course, there is a lot more to say on this topic than what I have covered here. Specifically, I am interested in thinking about representations of Native women in the media, particularly in fashion.  More broadly, I want to encourage us to be critical thinkers about and consumers of the beauty and fashion industry.  

First, I should be transparent about my position in relation to this topic. I am part Saponi, though most people read me as solely White. Though I did not grow up fully immersed in native culture (Saponi tribes are not recognized by the federal government and the last native speaker passed away several decades ago), I was raised by a mother who cherishes her native ancestry and is very spiritually connected to her cultural history. I am not telling you this because I think it somehow ups my credibility, but because I feel myself straddling a racial and cultural divide that makes this topic really complicated and difficult to discuss.  I want feather hair extensions and that cute tribal print tee as much as the next girl sometimes, but my cultural upbringing prompts me to question the politics of what is going on here. I should also note briefly that cultural appropriation in fashion is not exclusive to Native peoples (remember when everyone was getting Kanji tattoos? And putting chopsticks in their hair? And Gwen Stefani collected Asian women and had them follow her around?). But that is for another discussion. 


The commodification of Native womanhood, particularly by White women, is far from a new phenomenon. Paige Raibmon, in her essay “The Practice of Everyday Colonialism,” discusses how White women in the late nineteenth century created their own souvenirs while visiting Puget Sound, a place where Indigenous peoples migrated to work in the hop fields and participated in an Indian craft-based tourist market. Referred to as “Kodak girls,” touring White women shot photographs of Indigenous women, and in doing so, Raibmon argues, “literally framed their own privileged status in relation to the women on display. In opposition to the squaw drudge who was forced to labor, women behind the camera were united as consumers of leisure,” (44). In contemporary culture, this commodification of Indigenous peoples has expanded a great deal. For instance, we have the Cleveland Indians and the Atlanta Braves and countless other team mascots, a phenomenon unique to the Native American community in that no other racial, ethnic, or religious group is serving as the promotional logo for sports teams or athletic organizations. People of color, like Uncle Ben and Aunt Jemima, are frequently the icons for our food products, and the “Indian princess” trope is a popular incarnation of this trend (think the Land O’ Lakes butter maiden and the Sue Bee Honey princess). Now, indigenous peoples’ spiritual and cultural symbols are appropriated in such a way that the “Indian Princess” is nothing but an edgy fashion statement.

It should go without saying that companies do not intend to insult or alienate consumers through the use of Native people or symbols on their products; after all, their goal is to make money, which is hard to do if you offend potential customers. However, this “going native” trend can only be successful in a cultural climate that harbors at best a great deal of ignorance and insensitivity regarding First Nations peoples, and at worst a deep sense of racist nostalgia. Why do we find this fashion trend aesthetically pleasing? What symbolic meanings have we attached to the “Indian Princess” fashion statement? The Indian princess is often used to represents youth, a connection with nature, and purity. As a Native woman, she is also assumed to be the keeper of tradition and the domestic sphere (think Land O’ Lakes on this one). The image of the Indian princess on food labels is effective because consumers association these characteristics of tradition, nature, and purity and the quality of their products. But the Indian princess has not always been portrayed as sweet and innocent. The Indian princess also exists in the American imagination as a sexually unfettered temptress that offers White colonialists both her land and her body (think sexy Pocahontas imagery here).  When we evoke the “Indian Princess” in our outfits, we are tapping into these symbolic associations to create a style that communicate these particular characteristics. Maybe we want to look natural, earthy, and sweet? Or exotic and sexy? Or perhaps both? What does it mean, what does it say to others when we wear a shirt with a headdress on it and tie feathers in our hair? This imagery is not neutral or meaningless. However, it has indeed been decontextualized by the mainstream fashion industry and media more generally in such a way that their cultural and historical importance is ignored.

A lot of people don’t have a problem with the commodification of Native womanhood, or see it as a form of cultural appreciation rather than cultural appropriation. In this case, however, imitation is not the sincerest form of flattery. The “going native” trend fails to honor Native peoples because it turns their identities into goods that can be bought and sold. It strips their symbols of their historical, cultural, and spiritual significance. It taps into a long colonialist history of entitlement and cultural erasure wherein the White dominate group feels that it is acceptable to decontextualize and steal from other peoples' cultures. News flash: Native people still exists. Depicting Native peoples in “traditional” wear and as from an era long lost to history, food labels such as Land O’ Lakes, athletic mascots, and fashion labels maintain the misconception that Native people no longer exist or are frozen in the past. They also contribute to a pan-Indian understanding of Indigenous identity where all tribal and cultural distinctiveness is lost and subsumed under the broad category of “Native.” Our consumption of these products serves to decontextualization Native people’s from their histories and identities and to distance mainstream American from the lived experiences of Native peoples.

As bell hooks states, “When race and ethnicity become commodified as resources for pleasure, the culture of specific groups, as well as the bodies of individuals, can be seen as constituting an alternative playground where members of dominating races, genders, sexual practices affirm their power-over in intimate relations with the Other,” (23). As such, the commodification of Native identity is but one mechanism that mainstream White culture utilizes to maintain current power relations with Indigenous peoples. The neglect of the lived, embodied experience of Native women in exchange for the construction and perpetuation of the subservient, sexualized Indian princess helps to maintains unequal power dynamics instituted in the era of colonialism. The use of Native women’s images in fashion and in other media and advertising outlets is only possible when mainstream White culture envisions itself as distant from Indigenous people.


Works Cited
hooks, bell. “Eating the Other: Desire and Resistance.” In Black Looks: Race and Representations by bell hooks. Boston: South End Press (1992): 21-39.

Raibmon, Paige. “The Practice of Everyday Colonialism: Indigenous Women at Work in   the Hop Fields and Tourist Industry of Puget Sound.” Labor Studies in Working- Class History of the Americas 3.3 (2006): 23-56.


Beautiful Brains: Old Navy markets Gay Pride, but only to a select few

Recently, Old Navy announced they would be selling a line of Gay Pride themed t-shirts until the end of June, if they don't sell out before then. The timing is spot on, seeing as June is when many LGBTQ communities host their local Pride Parades. This tradition became nationally recognized in 2009 when President Obama officially declared June as Lesbian, Gay, Bisexual, and Transgender  Pride Month (read President Obama's proclamation of this here).



The Internet has been buzzing with excitement over these shirts, which come in men's, women's, and children's sizes and sell for less than $15 a pop, because it is one of the first times a major clothing chain has released a line of Gay Pride themed swag. The only other notable example is the Legalize Gay t-shirts, a collaborative project between American Apparel and the Human Rights Campaign to advocate for the repeal of Prop 8. Moreover, 10% of the Old Navy t-shirts' proceeds go to the It Gets Better Project, which aims to support LGBT youth in a contemporary cultural climate where anti-queer bullying and hate crimes are incredibly prevalent.

All of this has me very excited. Ignoring the fact that the t-shirts feature your expected and generally uncreative rainbow designs (but they get the point across), the fact that these shirts are being carried by such a retail giant is groundbreaking. But here is the catch: Old Navy has over 1,000 stores nationwide, but these shirts are available in a mere 27 of them. For a list of store locations where the shirts are carried, go here.

The select locations are clearly strategic choices on Old Navy's part- they are largely in liberal pockets of the US in major metropolitan cities where the shirts are likely to sell and unlikely to face fierce opposition. It would indeed be a risky business venture to plop this line of shirts into a store located in an area dominated by political and religious conservatism. Yet, it is these very areas that are most hostile to LGBT people. Thus, it is where the message of community, love, pride, and diversity is most needed. Of course, sporting rainbow gear doesn't automatically initiate community and pride. But if there are areas in the US where it is dangerous to wear a rainbow shirt, it certainly isn't safe to be out of the closet. In addition to such social ostracism and instances of hate-motivated violence, all LGBT people are denied political and legal rights that all American citizens are entitled to.

Ideally, these shirts would be available in all of Old Navy's stores though I know that in this cultural moment it doesn't make business to do so. But this is about more than t-shirts. It is political, legal, and social equality.


Beautiful Brains: Bootie Babe Cosmetics, an Update

At the beginning of last month I posted about Bootie Babe Cosmetics (read the original post here). In my post, I offered a critique of not only the company's packaging but also the beauty industry more generally and its tactic of hypersexualizing, objectifying, and commodifying women's bodies to reap a profit. I sent an email to the company with the link to my original post and invited them to engage in the ongoing conversation that started on this blog regarding their product. While they were not interested in such a conversation, I was instructed to remove their images from my blog, which I promptly did.

In a later correspondence I received permission to repost the images, provided I properly link back to them. I didn't get around to doing so until this morning, and while linking their images I noticed that several notable changes have been made to the Bootie Babe site. Here are some of the changes they have made, and my thoughts on them:

  •  The biggest change is to the company's mission statement. Originally, their mission statement was to "embrace the bootie, honor the bootie and rejoice in complete and utter babe-itude." In response, I questioned whether or not nail polish and a bootie shaped trinkets help us love our bodies more. Additionally, I was critical of the buxom, cinched-waist cartoon women that appeared on the website, which indicated to me that only one particular type of bootie was being "honored" and "embraced." The mission statement has since changed to this: "We believe that booties of all shapes, sizes, and colors are created equal, endowed by their creator with the radiant rights of love, laughter, and the precious pursuit of bootieness..." While the cartoon vixens still grace the site, the company's  stated relationship to women's bodies has shifted. Perhaps in response to my and others' critiques, Bootie Babe now proclaims to celebrate women's bodies of all "shapes, sizes, and colors." The mission statement, as a somewhat awkward and out of place rendition of the Deceleration of Independence with religious overtones, now touts multiculturalism and body positivism. Though it sounds nice, I am not convinced it is a genuine move. Rather, the new mission statement reads to me like an attempt to curb critiques like mine.

  • I commented in my original post that the names for the polishes were dreadfully uncreative. I must not have been the only one to deliver this critique, for the whole line of polishes have been dubbed more interesting names, such as "Bossy Mossy," "Slinky Pinky," and "Mean Tangerine."
  • Bootie Babe has posted extensive information about the ingredients in their nail polishes, which is a refreshingly responsible thing to see from a cosmetics company. Bootie Babe's nail polishes are three free and cruelty free.  
  • Despite several communications with Bootie Babe, my blog does not appear on their list of links to blogs that have mentioned their product. Of course, this could be because my post and our exchanges were critical in nature, opposed to a review of their polish. However, I can't help but think that the primary reason is because I am delivering a critique, and one grounded in feminist analysis at that.
As I mentioned in my original post, I want to reiterate that I am not bashing or boycotting Bootie Babe. In fact, I am not totally opposed to trying or owning these polishes. The politics of gender and sexuality as related to the beauty industry that I am critical of are much larger than this one company. Instead, my intention is to encourage more critical and thoughtful participation in the beauty community about how and what we consume, to raise questions, and invite a dialogue with readers and even Bootie Babe Cosmetics.

Just for some added entertainment, here is a song all about the bootie:


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